Radicalised by the inventiveness of groups such as the Harlem Renaissance, the LA-based musician is determined to reclaim the radical possibilities of culture in an age of institutional and algorithmic exploitation
‘For many years, I’ve called myself a surrealist blues poet,” says Aja Monet in her warm, deep voice. Sitting in a London cafe, the Los Angeles-based artist looks striking, with her blue braids woven up in an intricate style. She was up late uploading the final master recordings for her new album, The Color of Rain, which she says was heavily influenced by her reading around how “surrealism was a real intentional device that artists used in response to the rise of fascism throughout history”.
High-minded and yet invested in the cut-and-thrust of our lives today, it’s a typical comment from Monet. With themes around love, resistance and the absurdity of our current times, her performance, poetry and music offers a balm for the suffering and abuse meted out by establishment power. Already in 2026, her second poetry book Florida Water was nominated for an award by the foundational US civil rights organisation the NAACP, and she performed alongside Stevie Wonder at Time magazine’s event celebrating Martin Luther King Day.
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