The untimely death of the Heroes and Scream star was a tragic ending to a life filled with darkness in an industry that still lets its younger stars down
For a little while, it looked as if maybe former child actors had shed the stigma, long understandably held, that Hollywood success at a young age would lead to tragedy later in life. Child stars from the 1970s and 1980s seemed particularly mistreated and/or self-destructive, whether born into dysfunctional Hollywood families, like Tatum O’Neal, or the result of more sui generis success, like Brad Renfro, River Phoenix, or Corey Haim. But as these cases became more notorious, they seemed to act as cautionary tales for a generation of stars that seemed – broadly speaking – to be receiving better guidance, whether from family, friends, or themselves.
Look at the astonishingly well-adjusted core cast of Harry Potter kids, who worked for a full decade, from their pre-teen years to young adulthood: among Daniel Radcliffe, Emma Watson, and Rupert Grint, there are more awards, charity work and seemingly happy relationships than genuine scandals. (The biggest malfeasance of anyone in the trio? Some mild tax problems for Grint.) Other awards-show fixtures like Natalie Portman, Christian Bale, and Kieran Culkin have come out the other side of child stardom with terrific careers and strong reputations closer to the Jodie Foster model. Even Lindsay Lohan, whose behavior in the 2000s and into the 2010s seemed to signal impending tragedy, seems to be doing well: sober, happily married, and back on the big screen last year with the hit sequel Freakier Friday. In terms of more recent young stars, a pop singer like Olivia Rodrigo appears to have much more autonomy than Britney Spears did, even in her early-2000s heyday.
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