Uninteresting mythology and junky effects push a once-promising horror franchise further from what it once was
When the Insidious franchise started in 2010, it felt like a liberating moment for director James Wan and writer (and later director) Leigh Whannell, the Australian duo who captured the zeitgeist with the original Saw movie, which imported the gonzo energy of low-budget Ozploitation flicks. As the partners quietly ceded control to other film-makers, the Saw sequels sunk into gross, dreary exercises in mechanized murder, and they moved on to other projects. When they emerged with Insidious, another shoestring horror movie, it was a confident and wildly entertaining return to form, like a down-and-dirty fusion of 80s staples like Poltergeist and Ghostbusters.
Now the pattern has repeated itself. Though Whannell stuck around longer than Wan – Wan directed the sequel, but Whannell directed the third film and has writing or story credits through the most recent sequel, Insidious: The Red Door – the creative returns have diminished over time, even if the cheap productions are still like a license to print money. Insidious: Out of the Further arrives as the sixth entry in the series, and the fun has almost completely evaporated, replaced by a dull mythology that would be hard to piece together even if the sequels hadn’t come out in scrambled chronology.
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