The artist’s latest swerve sees her creating an alien inflatable landscape for New York’s Balloon Museum
Oversized inflatable blades of grass graze my face as I wind a path through the glowing white gallery space. Little papery squares of snow blow, some sticking to my hair. The path through the room curves so that only what is right in front of me is visible: initially, it seemed like I would reach the far side of the room in mere seconds but still my journey, magically, continues. I am at Snowy/Windy/Spring on Planet Z, the latest installation by the performance artist Marina Abramović. It opened earlier this month at New York’s newly opened Balloon Museum, which bills itself as “the first permanent home for inflatable art”.
“I’ve never done anything like this in my life,” a smiling Abramović said, speaking on Zoom from her Manhattan apartment. “But if you give me an assignment then I’ll try to see what I can do with it.” As she began researching balloon art her first thought was that it was “so kitschy – basically for kids and games”. However, the more she contemplated the balloon, the more she saw its resonance with her own practice. “You put air in it, and at some point the air comes out. Or you pinch it and it disappears. The temporality of this is very close to what I’m doing: performance art.”
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