The Red Book of Farewells by Pirkko Saisio; Short Circuit by Wolf Haas; Cosmos by Lucia Odoom; The Fallen Trees Are Also the Forest by Alejandra Kamiya
The Red Book of Farewells by Pirkko Saisio, translated by Mia Spangenberg, Penguin Classics (£14.99)
Following Lowest Common Denominator and Backlight, this book completes Finnish author Saisio’s autofictional trilogy. It covers her young adulthood in the 1970s, where she comes out as lesbian (“The electricity doesn’t go out. The Richter scale remains still”) and falls in love. One of her lovers, Havva, is a communist who’s engaged to a man; she relies on his rich parents for funding, but pees in their private pool as a protest. Later, Saisio is voted vice-president of a political drama company, as “she has the skills to bring about the revolution, specifically via theatre” – despite half-baked productions such as the “napalm opera” Vietnam-a-Go-Go. As that suggests, this is a story with a sense of both the ridiculous and the serious. Told in clear prose, it playfully shifts between third and first person as Saisio recounts her memories then analyses them. This enchanting series deserves to become a modern classic.
Short Circuit by Wolf Haas, translated by Jamie Bulloch (HarperVia, £20)
“We think [time] goes in one direction. But really you need to think of it as a loop”. This, well, loopy novel opens with jigsaw aficionado and “merciless hair-splitter” Franz Escher getting an electrician in to fix his power – then accidentally killing him. As Franz waits for the ambulance, he reads a novel about Elio, a man who helped put his own mafia family behind bars. Elio, who’s now on witness protection, kills time by reading a novel about … Franz Escher. The two stories pursue one another, accelerating until they collide, incorporating courtship by car alarm, rival funeral orators and multiple identities for many characters. Oh, and what if the electrician Franz killed turns out to be Elio? Short Circuit, recalling the slipstream fiction of Christopher Priest and the light-touch experimentations of David Mitchell, is an entertaining literary hall-of-mirrors.