Why do this spring’s blockbusters feel so smug?

From action thrillers to sci-fi flicks, a deluge of recent releases are riddled with self-satisfied smarm The new Hulu movie Mike & Nick & Nick & Alice has been marketed as a genre-mashing wild ride, with plenty of South by Southwest festival reactions and even genuine full reviews delighting in its supposed mixture of sci-fi, action, romance and buddy comedy. That’s a hell of a lot of genres. While watching it, I found myself wondering if the number of elements in play is supposed to distract from how its comedy has three deadening and similar modes. One involves characters being unexpectedly familiar with seemingly incongruous elements of pop culture: it opens with a scientist tinkering with his time-travel machine while singing along to Why Should I Worry?, a niche Billy Joel song from the old Disney cartoon Oliver & Company; later, there’s a long conversation about a bunch of criminal types’ deep familiarity with the TV show Gilmore Girls. If that doesn’t sound funny enough, writer-director BenDavid Grabinski finds the flip side equally hilarious: people not knowing things. Gags include a guy who hasn’t heard of Winnie the Pooh, a guy who doesn’t know the proper name of chloroform, and a guy who doesn’t know what the word “comeuppance” means. These are all different guys. The third, even less sophisticated strain of comedy in Mike & Nick & Nick & Alice, are characters who fuckin’ swear. Talk about fuckin’ comedy! Sometimes their names even swear: one guy is nicknamed, get this, Dumbass Tony! In every detail of the movie, you can feel the heavy hand of the screenwriter, straining for irreverence, desperate to show that he’s made something that’s not like the other, regular screenplays out there. Continue reading...